Writing shouldn’t come between the reader and what’s being described. It should be as transparent as possible.
Diana Athill
Say all you have to say in the fewest possible words, or your reader will be sure to skip them; and in the plainest possible words or he will certainly misunderstand them.
John Ruskin
The secret of popular writing is never to put more on a given page than the common reader can lap off it with no strain whatsoever on his habitually slack attention.
Ezra Pound
Freddy Astorga sends in a question:
After you edit and publish a book, can you make a reivsion with improvements on your story, or are second editions just minor revisions?
The idea reminds me of the “director’s cuts” we often see on DVDs and even in cinemas, which for the most part are a trick to make you pay twice for about the same thing. Moviemakers have found a range of excuses for not making “their” movie from the start: studio pressure, budget limitations, tight deadlines… Excuses that a novelist cannot rely on.
The only second -and subsequent- revised editions that we find on print are reference works, but there is a reason for this. With the evolution of the world (its techonology, its laws, etc.), the text describing them needs to be updated to reflect those changes. This reasoning does not apply to fiction either.
The author is the only person responsible for their text. Therefore, correcting the finished piece would discredit their own work. A revised version can correct edition errors (like typos, or page numbering problems) but should leave the text and its universe intact. What would be the point of saying “things did not happen exactly that way, but a little more like this”? It would say very little about our capacity as narrators. Incidentally, this highlights the importance of a good editor, who should point out the flaws in you work and make sure that the published text is, from the beginning, final.
Since we moved the Writing Workshop here and started off the bilingual blog things are getting busy! Unique visitors for the month of July amount to almost 60,000 – thanks a lot everyone!
To stay up to date with all that’s going on, I recommend RSS suscriptions, for example through Google Reader, so you won’t miss any new Posts or even any new Comments, where debates are getting hot!
Additionally, for Spanish speakers or students wishing to listen to the podcast, there are two suscription options available: RSS o iTunes.
Those with less experience with computers -or simply not willing to suscribe despite my recommendations- simply need to return frequently and have a look at the latest changes.
A note about the comments: unfortunately I’ve been so far unable to separate them by language, so currently all you see are Spanish-language comments. Please don’t let that refrain you from writing your own comments in English – it’s perfectly OK to have them mingle together until we find a better solution for this. (Suggestions are welcome too)
For those who already know all of this and are sick of having me repeat it, here’s the funny trivia/news of the day: I just found out that Placebo are Mrs. Carrington fans!
I just happened upon this quote:
We’re not as clever as people think. Intelligence is letting the book open so the reader can finish it as they wish.
Colum McCann
It reminded me of one of the epigrams that form the preface to the wonderful The Picture of Dorian Gray.
It is the spectator, and not life, that art really mirrors.
Oscar Wilde
They’re not the only ones who think the reader wirtes as much as the writer.
I see the role of the writer as creating a room with big windows and leaving the reader to imagine. It’s a meeting on the page.
Kevin Crossley-Holland
Every novel is an equal collaboration between the writer and the reader and it is the only place in the world where two strangers can meet on terms of absolute intimacy.
Paul Auster
What do you think?
In the last few days I’ve seen several bloggers mention that receiving bad advice can severely harm your writing. And we don’t mean here “negative feedback”, which should always be part of any feedback and help you improve your text. We’re talking about advice that is wrong and misleading.
Well that’s what I’ve been finding lately in the blog Advanced Fiction Writing. Their shameful article on how to write characters of the opposite gender lit my suspicion. So I checked back. A very specific question on POV received a boring digression on the different kind of narrators available to writers. Another question on whether to call characters by their first or last name received the good advice that writers should stick to one name, then gave a bad example of multi-named Voldemort. And so it goes.
This is not “Advanced” writing of any kind. This is the most simplistic adivising I’ve ever seen outside of Facebook. Stay away from bad advice! That’s my advice ;-)
People often ask how long should their novel be. We’ve all faced the problem of wanting to fill up two hundred pages and having nothing to say after only didty. Contests often deman a minimum of 50.000 words. What is the right length of a novel?
Let the experts speak:
Lewis Carroll, Alice in Wonderland – 26.700 wordsAs you see, both classics and recent best-sellers range in a wide variety of possible lengths. In other words: a novel is as long as it is. It will last for as long as the story requires. Asimov and Carroll were quite consisten in the length of their sequels -perhaps because they were, with all due respect, more of the same-, while for Card and Rowling the sequels grew longer as their universes expanded.
Take a look at your bookshelves: are the books thick, thin, or every size? And which are your favourites? That might be the type of novel that you’re best at writing…