Which book should I buy?

Wood or Lodge?

Time for listener’s questions:

I’ve read a couple good books on writing and I’d like to find others that study fiction in further depth. I’ve seen two available online and I’d like to know your opinion on them:

I’m afraid they might be critical articles on classical authors -when I’m not interested in literary criticism- or they may be too general or superficial.

Unfortunately I don’t know any of them. I see on Amazon that Lodge’s is a compilation of articles previously published on The Independent on sunday. Each chapter deals with one topic and illustrates it with quotes from clasics, which is probably a good idea for a structure and might waken up your appetite for further reading.  According to the back cover, Wood is not an author but a critic, and according to the table of contents, two chapters are devoted to Flaubert, which is probably a waste of pages unless you know his work. Both volumes receive generally good reviews, though Lodge’s sem to be slightly better. If I had to choose among those two, I think I’d go for Lodge, but you see it’s only a first impression. If you’re really interested? Get both.

Don’t fool yourself, though: there are hardly any “advanced” manuals for writers. I still haven’t found one that takes for granted that I know the difference between first- and third-person narration and takes on from there. They all stop to explain -and frankly, one gets sick of it. The reason why they all appeal to beginners is because by doing so they expect to reach a wider audience and sell more copies. If you know a book “for experts”, please share it in the comments!

On the other hand, one learns something from every book. Sometimes it’s a detail on structure, or perhaps a new trick for writing dialogue, or a new perspective on things we thought we already knew. As we can’t possibly learn everything from one book, the more we read, the more we’ll know.

But remember: we learn writing through reading, but mainly through writing.

New Kindle announced

Though not directly related to the act of creation, at this Workshop we try to keep a close eye on any news from the market of electronic books. The reasons are, on the one hand, the usefulness of the new format for learning and research, and on the other, the publishing opportunities that it might open for new and experienced authors alike.

This time it’s Amazon who captures our attention with news of a third generation of its Kindle ebook reader, available from August 27th. Its most remarkable feature is perhaps its new price, with its basic model at ₤109/$139, while the 3G drops to ₤149/$189. Such prices were unthinkable just a few months ago and make this technology accessible to a wider audience.

Most of the other updates are rather predictable (the typical improvements in contrast, speed, etc.) with two exceptions that catch our attention, though for different reasons.

First, the system will include an internet browser. While the idea is terribly attractive, we are skeptical at the thought of surfing the net at the slow speed with which electronic ink refreshes – it simply would make the experience quite exasperating.

On the other hand, enhanced PDF support is announced, including (as we understand from the technical features sheet) the option of landscape reading. If this is properly implemented, it might allow us to finally read A4-formatted PDFs comfortably, simply by scrolling down the pages – with no need to invest $379 on its big brother, the Kindle DX. This would prove very helpful, for example, for reading screenplays, which are rarely found on print but easily -and for free- on PDF, making it an invaluable tool for scriptwriters looking for learning material.

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